MATERIAL RESPONSIBILITY
Pigments on Linen
Pigments on Linen
Pigments on Linen
The tight, homogeneous grain structure of the linen makes it ideal for oil and pigments to merge and settle in desired form. The strong and solid backdrop opens ways to sculpturing with a large amount of pigments, allowing three–dimensional space to intrude into an otherwise two–dimensional surface.
Oil on Timber
Pigments on Linen
Pigments on Linen
Organic timber forms the perfect balance to the thick and heavy oil patterns. The roughness of the wood under the flowing oil induces presents a nice contrast. It is not hold back on a stretched frame but moves freely, only to freeze eventually within the laws of gravitation.
Ink on Paper
Pigments on Linen
Ink on Paper
Paper offers a very smooth background. From its immaculate surface, pigments emerge in unusual patterns, acting as an attribute to the overall form. Hasty ink on dreamy oil is very capricious. Applying it right on top on flowing color opens all new horizons and excitements.
IMMATERIAL IRRESPONSIBILITY
Mtihani
Mtihani
Mtihani
Miki’s abstract works introduced here may at times take you on a primal or innate journey. Like the subliminal messages of our youth, to the lessons our parents taught us, to out innate drive to aspire: this gift, this planet we call earth, roots us and lifts us. Meanwhile, propelling us with the gifted ability to see, feel and sense ins
Miki’s abstract works introduced here may at times take you on a primal or innate journey. Like the subliminal messages of our youth, to the lessons our parents taught us, to out innate drive to aspire: this gift, this planet we call earth, roots us and lifts us. Meanwhile, propelling us with the gifted ability to see, feel and sense inspiration through associations with its physically anchored treasures.
Muses
Mtihani
Mtihani
Collages created by weaving, gluing and sewing the fragmentation of silhouettes in papers, fabrics, and textures. From photographs, searches of images from old magazines and books, Miki interprets and revisits a personal feeling with her collages. Exploring themes such as the human body, emotions, architecture and collective consciousness
Collages created by weaving, gluing and sewing the fragmentation of silhouettes in papers, fabrics, and textures. From photographs, searches of images from old magazines and books, Miki interprets and revisits a personal feeling with her collages. Exploring themes such as the human body, emotions, architecture and collective consciousness in her work. Collage and painting techniques are used as a tool of re-signification of the past in favor of the co-creation of the present.
Miki
Mtihani
Miki
She’s not a girl. She’s been through hurricanes of emotions, she fought the armies of fears, she passed the trickiest life’s trials. She matured like wine through humid darkness, cold and time. She came out fizzy and sweet.
Her art is abstract, organic and monochrome; inspired by home, travel and the lesson of the moth.